Cahiers d’Art Magazine – 1952, No. 1 (Special Hardbound Edition)
Cahiers d’Art – 1952, No. 1
Publisher: Cahiers d’Art, Paris
Year:1952
Dimensions: 12 ¾ x 10 ½ inches (32.4 x 26.7 cm)
Condition: Good, with staining along the bottom edge (front to back). Contents remain intact and vibrant.
Description:
A compelling 1952 issue of Cahiers d’Art, the seminal modernist journal founded by Christian Zervos in 1926. This was a limited editok version with a linen hardbound cover and a molded leather spine.
Artists included in this issue: Georges Braque, Henri Matisse, Marc Chagall
Highlights:
- Features works by Julio González (pioneering iron sculptor) and Hans Hartung (key figure in Lyrical Abstraction), alongside critical texts reflecting the era’s artistic dialogues.
Cahiers d’Art – 1952, No. 1
Publisher: Cahiers d’Art, Paris
Year:1952
Dimensions: 12 ¾ x 10 ½ inches (32.4 x 26.7 cm)
Condition: Good, with staining along the bottom edge (front to back). Contents remain intact and vibrant.
Description:
A compelling 1952 issue of Cahiers d’Art, the seminal modernist journal founded by Christian Zervos in 1926. This was a limited editok version with a linen hardbound cover and a molded leather spine.
Artists included in this issue: Georges Braque, Henri Matisse, Marc Chagall
Highlights:
- Features works by Julio González (pioneering iron sculptor) and Hans Hartung (key figure in Lyrical Abstraction), alongside critical texts reflecting the era’s artistic dialogues.
Cahiers d’Art – 1952, No. 1
Publisher: Cahiers d’Art, Paris
Year:1952
Dimensions: 12 ¾ x 10 ½ inches (32.4 x 26.7 cm)
Condition: Good, with staining along the bottom edge (front to back). Contents remain intact and vibrant.
Description:
A compelling 1952 issue of Cahiers d’Art, the seminal modernist journal founded by Christian Zervos in 1926. This was a limited editok version with a linen hardbound cover and a molded leather spine.
Artists included in this issue: Georges Braque, Henri Matisse, Marc Chagall
Highlights:
- Features works by Julio González (pioneering iron sculptor) and Hans Hartung (key figure in Lyrical Abstraction), alongside critical texts reflecting the era’s artistic dialogues.
