Cahiers d’Art, Year 4, No. 4 (May 1929)
Cahiers d’Art, Year 4, No. 4 (May 1929)
- Highlights:
- Essays on Raoul Dufy and Fernand Léger
- Report on the Royal Tombs of Ur
- Critical analysis of French painting in Frankfurt
Condition:
- Shows typical aging (toned paper, minor spine wear) but are complete, with no loose pages. Tear on the bottom left corner. Wear to the spine.
Historical Context:
Founded in 1926 by Christian Zervos, Cahiers d’Art was the avant-garde’s intellectual hub, merging radical art theory with lavish reproductions.
- 1929: The twilight of Paris’s Années Folles, documenting pre-Depression modernism.
Dimensions: 12.5 × 10 inches
Cahiers d’Art, Year 4, No. 4 (May 1929)
- Highlights:
- Essays on Raoul Dufy and Fernand Léger
- Report on the Royal Tombs of Ur
- Critical analysis of French painting in Frankfurt
Condition:
- Shows typical aging (toned paper, minor spine wear) but are complete, with no loose pages. Tear on the bottom left corner. Wear to the spine.
Historical Context:
Founded in 1926 by Christian Zervos, Cahiers d’Art was the avant-garde’s intellectual hub, merging radical art theory with lavish reproductions.
- 1929: The twilight of Paris’s Années Folles, documenting pre-Depression modernism.
Dimensions: 12.5 × 10 inches
Cahiers d’Art, Year 4, No. 4 (May 1929)
- Highlights:
- Essays on Raoul Dufy and Fernand Léger
- Report on the Royal Tombs of Ur
- Critical analysis of French painting in Frankfurt
Condition:
- Shows typical aging (toned paper, minor spine wear) but are complete, with no loose pages. Tear on the bottom left corner. Wear to the spine.
Historical Context:
Founded in 1926 by Christian Zervos, Cahiers d’Art was the avant-garde’s intellectual hub, merging radical art theory with lavish reproductions.
- 1929: The twilight of Paris’s Années Folles, documenting pre-Depression modernism.
Dimensions: 12.5 × 10 inches
